Kari and Maureen

Born on March 25, 1970, she is a Canadian actress. Born in the village of Spalding in Saskatchewan, Matchett began her theater career after moving to Ontario. At the beginning of the nineties, she started her career on Canadian television after which she relocated back to the United States and starred in the series The Secrets of Nero Wolfe Invasion 24 Hours Studio 60 in the Sunset Strip Ambulance Earth. It was the Last Conflict. Her character on The Department of Wet Cases the Canadian television drama series, earned her a Gemini Award. She played an ex-wife in various seasons of Impact. In the TV series Covert Operations, she plays the role of Joan Campbell. Cube 2 was a Canadian feature film that debuted in 2002. Apart from Hypercube she also appeared as a character in Angel Eyes Boys with Broomsticks The Tree of Life and Boys with Broomsticks. Divorced. Jude Lyon Matchett's son is her first child born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) received attention because of her stunning beauty with radiant red-hair and moving depictions. Her acting was powerful and a confident lady. She was a standout in her roles, whether being rescued from the hands of Charles Laughton in The Hunchback of Notre Dame (1939), getting married in the dark coal skies with Walter Pidgeon in How Green Was My Valley (How Green Was My Valley 1941) and learning about miraculous happenings through Natalie Wood in Miracle on 34th Street (Miracle on 34th Street 1947) or fighting for supremacy in the face of John Wayne in The Quiet Man (The Quiet Man, 1952) Maureen O'Hara was the first biographical work about the screen legend, called the Queen of Technicolor. Aubrey Malone follows O'Hara from her early days in Dublin until her rise to Hollywood fame using the latest details gleaned through Irish Film Institute productionnotes from movies. Malone explores her connection of John Wayne, and the relationship she had in common with John Ford. He also discusses the controversial issue of whether or not O'Hara was antifeminist. O'Hara, despite being an icon of the golden age of cinema remains a mystery due to her tendency to remain private and her public statements which contradict her personal decisions. The first biography of her provides an insight into the character of O'Hara's imposing persona. In eradicating the myths surrounding her, the book offers a realistic assessment of a famous film actress.